其他

• 許俊雅。1996。〈從困境、求索到新生–談臺灣新詩中的二二八〉。《第二屆臺灣本土文化國際學術研討會論文集》。臺北：臺灣師範大學文學院國文學系。頁331-349。
• 許建崑。2002.01。〈尋找X點，或者孤獨向前—試論劉克襄自然寫作的認知與建構〉。《臺灣自然生態文學論文集》。臺北：文津出版社。頁94-114。
• Kaldis, Nick(2007). “Steward of the Ineffable: “Anxiety-Reflex” in/ as the Nature Writing of Liu Kexiang( Or: Nature writing against Academic Colonization).” New Perspectives on Contemporary Chinese Poetry. New York：Palgrave Macmillan. 85-103.
• 曹惠民。2010.1。〈臺灣自然寫作的流脈〉。《走出的夏娃──一位大陸學人的臺灣文學觀》。臺北：秀威資訊。頁41-53。
• Thornber, Karen Laura(2012). “One / Environmental Degradation and Literature in East Asia.” Ecoambiguity: Environmental Crises and East Asian Literatures. Ann Arbor：The University of Michigan Press. 32 -95.
• “Modern Poetry in Chinese: Challenges and Contingencies.” A Companion to Modern Chinese Literature. Wiley-Blackwell. 163.
• Lee, Yu-lin(2016). “Becoming-Animal: Liu Kexiang’s Writing Apprenticeship on Birds.” Ecocriticism in Taiwan: Identity, Environment, and the Arts. New York：Lexington Books. 155- 162.